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Of course, if you want to actually see Meir Zarchi's face, here is your chance. There is also a 29-minute special feature called "The Values of Vengeance" which is insightful, though does not cover much the commentary does not. This could have been a career killer, and perhaps it was, though it has sealed her place in cult film history. And Camille Keaton has to be honored for such dark subject matter and tackling it head-on. The film is a natural step from "Last House on the Left", actually upping the ante. What should we make of the church scene? Can you reconcile Christian beliefs with murder or revenge? That is not a question I choose to answer, but certainly a question raised by this film, whether intentionally or otherwise. Indeed, the film has a pretty thin plot, but its point is clear, and even the attackers get fleshed out a bit in the second half. Mike Mayo praises the film to a point, but considers it "crude and single-minded" and suggests viewers check out Abel Ferrara's "Ms. Then again, even cut, it is a shocking film - what would be a two minute scene in some films goes on over an hour here. Those who do not know what to expect may be very shocked by this film if they see it uncut. The original 1978 version of I Spit On Your Grave was reviled, condemned, and banned around the world for its graphic on-screen depictions of depravity and violence. The film is certainly the most explicit up to the time it was made, and some might even say up until today. At this point the director realized that being questioned by the police is not the solution to the rape - at least not yet - but the continuation of it.
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They brought the young woman to the police, but allegedly the officer on duty was not very concerned. where do you go after you reach the lowest possible point in your life? The director's commentary with Mier Zarchi begins by revisiting the history and controversy over the film - is it a story that is sick and makes woman out to be nothing more than a sexual object, or is it a feminist film where the "day of the woman" allows the victim to strike back? Zarchi finally reveals the film's inspiration: in the early 1970s, he and his friend Alex Pfau (a protégé of Roman Polanski) witnessed a rape victim after the fact, her body naked, bloody and broken. Not much later, things go from tranquil to nightmarish for her.
#YOUTUBE I SPIT ON YOUR GRAVE 1978 FULL MOVIE PLUS#
A good jazz-infused music score is the singular plus here.A young woman (Camille Keaton) is spotted by a group of men while writing near a river.
#YOUTUBE I SPIT ON YOUR GRAVE 1978 FULL MOVIE MOVIE#
A risque nude swimming scene is a surprise, and was probably the only reason this movie found its way into the international marketplace. The clashes of acting, stilted dialogue, a strange French version of Americana, and a plot that is meant to be social commentary but emerges as mild exploitation, result in an abject failure. town overrun with racist bourgeois and a "Wild Racer"-type motorcycle gang that appear to have been imported from some American-International juvenile delinquency movie. The juxtaposition of French-language dialogue and the Continental performances are at odds with the subject matter, which focuses on a so-called "light-skinned" African-American, played by badly miscast lily-white Christian Marquand, who tries to fit in with a U.S. A remarkable dissonance of plot, character and sentiment overwhelms practically every scene. Artemis-9Ī French-made rumination of American racial tensions, circa the late 1950s, emerges a ludicrous attempt. Joe's family history is about to repeat itself: tragedy ensues just as the fugitive lovers are about to cross the Mason-Dixon Line. Stan organizes a posse, planning to accuse Joe of abducting Lizbeth with intent to rape her. After Joe is beaten by Stan's henchmen and shot by Lizbeth's sister, the pair manages to run away. When Joe's employer reveals that Joe is of African descent, Lizbeth suggests they run away together. She loves him back, but her family is forcing her to marry a ruthless man called Stan Walker, who practically owns the town.
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As time goes by, Joe falls in love with Lizbeth. They wish to kill him, out of racism and jealousy, because the women are attracted by Joe's masculine charms. Meanwhile, Joe discovers that the bookstore where he works is a front for an extortion ring, and the town's intolerant men make his life miserable. To get revenge on white society, Joe seduces rich young white girl Lizbeth Shannon, and plots her death.
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Joe's skin is so light that he is able to pass himself off as Caucasian and find work in a local bookstore. In the American South, light-skinned Afro-American Joe Grant leaves Memphis and moves to a small town after his 18-year-old brother Johnny is brutally lynched for attempting to marry a white woman.